Jordan Times post by AFP – Oct 16, 2022, on how Iraq unveiling archaeological park with ancient carvings might not be a first in the Middle East but quite something.
The image above is titled Walk around the park: Attendees listen to information as they stand by an ancient irrigation canal dating back to Assyrian times, in the archaeological site of Faydeh (Faida), Iraq, on Sunday, during the opening of the first phase of a planned archaeological park in Iraqi Kurdistan. (AFP/Ismael Adnan)
Iraq unveils archaeological park with ancient carvings
talian Ambassador to Iraq Maurizio Greganti looks at a carved plaque lining an ancient irrigation canal dating back to Assyrian times, in the archaeological site of Faydeh (Faida) in the mountains near the town of the same name, in the autonomous Kurdish region of Iraq, on Sunday (AFP photo)
FAIDA, Iraq — Authorities in northern Iraq on Sunday unveiled an “archaeological park” of 2,700-year-old carvings from the rule of the Assyrians, including showing kings praying to the gods.
The 13 stunning monumental rock-carved bas-reliefs were cut into the walls of an irrigation canal that stretches for some 10 kilometres at Faida in northern Iraq.
The panels, measuring five metres wide and two metres tall, date from the reigns of Sargon II (721-705 BC) and his son Sennacherib.
“Perhaps in the future others will be discovered”, said Bekas Brefkany, from the department of antiquities in Dohuk, in Iraq’s northern autonomous Kurdistan region.
Faida is the first of five parks the regional authorities hope to create, part of a project aimed to be “a tourist attraction and a source of income”, Brefkany added.
The carvings were unearthed during several digs over recent years, by archaeologists from Kurdistan and Italy’s University of Udine.
Last year, Daniele Morandi Bonacossi, professor of Near Eastern archaeology at the university, said that while there were other rock reliefs in Iraq, none were so “huge and monumental” as these.
Iraq was the birthplace of some of the world’s earliest cities.
As well as Assyrians it was once home to Sumerians and Babylonians, and to among humankind’s first examples of writing.
But in recent years it has suffered as a location for smugglers of ancient artifacts.
Looters decimated the country’s ancient past, including after the 2003 US-led invasion.
Then, from 2014 and 2017, the Daesh group demolished dozens of pre-Islamic treasures with bulldozers, pickaxes and explosives. They also used smuggling to finance their operations.
Some countries are slowly returning stolen items.
Last year, the United States returned about 17,000 artifacts to Iraq, pieces that mostly dated from the Sumerian period around 4,000 years ago.
Oxford archaeologists discover monumental evidence of prehistoric hunting across the Arabian desert.
They have found over 350 Monumental Hunting Structures labelled and since then known as ‘Kites’ In Northern Saudi Arabia And Southern Iraq Using Satellite Imagery.
Evidence of Prehistoric Hunting across Arabian Desert
Distribution of kite structures in the Levant and in northern Arabia. White: previously documented kites. Red: kites recorded by EAMENA.
Archaeologists at the University of Oxford’s School of Archaeology have used satellite imagery to identify and map over 350 monumental hunting structures known as ‘kites’ across northern Saudi Arabia and southern Iraq – most of which had never been previously documented.
Termed kites by early aircraft pilots, these structures consist of low stone walls making up a head enclosure and a number of guiding walls, sometimes kilometres long. They are believed to have been used to guide game such as gazelles into an area where they could be captured or killed. There is evidence that these structures may date back as far as 8,000 BCE in the Neolithic period.
Kites cannot be observed easily from the ground, however the advent of commercial satellite imagery and platforms such as Google Earth have enabled recent discoveries of new distributions. While these structures were already well-known from eastern Jordan and adjoining areas in southern Syria, these latest results take the known distribution over 400km further east across northern Saudi Arabia, with some also identified in southern Iraq for the first time.
Dr Fradley said: ‘The structures we found displayed evidence of complex, careful design. In terms of size, the ‘heads’ of the kites can be over 100 metres wide, but the guiding walls (the ’strings’ of the kite) which we currently think gazelle and other game would follow to the kite heads can be incredibly long. In some of these new examples, the surviving portion of walls run in almost straight lines for over 4 kilometres, often over very varied topography. This shows an incredible level of ability in how these structures were designed and built.’
Evidence suggests considerable resources would have had to be coordinated to build, maintain, and rebuild the kites over generations, combined with hunting and returning butchered remains to settlements or camps for further preservation. The researchers suggest that their exaggerated scale and form may be an expression of status, identity and territoriality. Appearances of the kites in rock art found in Jordan suggests they had an important place within the symbolic and ritual spheres of Neolithic peoples in the region.
From the design of the kite heads to the careful runs of guiding walls over long distances, these structures contrast markedly in scale with any other evidence of architecture from the early Holocene period. The researchers suggest that the builders of these kites dwelt in temporary structures made from organic materials that have left no trace visible on current satellite imagery data.
Desert kite research is a very active field just now – Michael and colleagues explore a significant extension to their distribution pattern, which has major implications for our understanding of the relationship of the kite builders with new mobile pastoralists and the occupation of the region.
Bill Finlayson, Director of EAMENA and Professor of Prehistoric Archaeology at the University of Oxford
These new sites suggest a previously unknown level of connection right across northern Arabia at the time they were built. They raise exciting questions about who built these structures, who the hunted game were intended to feed, and how the people were able to not only survive, but also invest in these monumental structures.
In the context of this new connectedness, the distribution of the star-shaped kites now provides the first direct evidence of contact through, rather than around, the Nafud desert. This underlines the importance areas that are now desert had under more favourable climatic conditions in enabling the movement of humans and wildlife. It is thought the kites were built during a wetter, greener climatic period known as the Holocene Humid Period (between around 9000 and 4000 BCE).
The largest number of kites were built on the Al Labbah plateau in the Nafud desert, where the absence of later Bronze Age burial monuments suggests that a shift into a drier period meant some of these areas became too marginal to support the communities once using these landscapes, with game species also potentially displaced by climate change.
Whether the patterns of kite construction over space and time represent the movement of ideas or people, or even the direction of that movement, remain questions to be answered.
The project, supported by the Arcadia Fund, is now extending its survey work across these now arid zones to further develop our understanding of these landscapes and the effect of climate change.
The study Following the herds? A new distribution of hunting kites in Southwest Asia is published in The Holocene.
Humanity originated on the African continent at least 300,000 years ago. We know from fossil evidence in southern Greece and the Levant (modern-day Israel) that some early members of our species expanded beyond Africa around 200,000 years ago, and again between 120,000 to 90,000 years ago. They likely travelled through the Sinai peninsula, which formed the only land bridge connecting the continent of Africa to the rest of the world, before moving north into a landscape with a Mediterranean climate.
But it was not known at what point humans turned south after crossing the Sinai peninsula, reaching modern day Saudi Arabia. It is also often assumed that they may have taken a coastal route, avoiding the currently harsh desert interior. Previous fossil finds show this was not the case, with humans moving into the heart of Arabia at least 85,000 years ago. Now, new research pushes this date back even further.
Colleagues and I discovered human and other animal footprints embedded on an ancient lake surface in the Nefud Desert in Saudi Arabia that are around 120,000 years old. These findings represent the earliest evidence for Homo sapiens on the Arabian Peninsula, and demonstrates the importance of Arabia for understanding human prehistory.
The Nefud Desert in modern-day Saudi Arabia lies around 500km to the southeast of the Sinai Peninsula. Today, the Arabian deserts are some of the most inhospitable environments in the world. They would form an impassable barrier for prehistoric humans or large mammals. Imagine standing at the foot of a hyper-arid desert equipped with stone tools and not much else. Could you get across? Probably not.
Scientific analysis shows that for most of their recent history, they were climatically similar to today: hyper-arid and impassable. But there is also evidence to show that at certain times in the past, the deserts transformed into savannah-like grasslands littered with freshwater resources. These “green” phases were likely short, probably lasting no more than a few millennia. Nonetheless, they provided windows of opportunity for humans and other animals to move into a new green landscape.
We know from fossil lake sediments that the Nefud Desert was one of those that periodically transformed into a more attractive landscape in the past, and the new footprints prove that early humans took advantage of one such window.
We were able to date the footprints by using a technique called luminescence dating to a period of time 102-132,000 years ago. Based on wider regional evidence for increased rainfall, we suggest they date to a period roughly 120,000 years ago, called the last interglacial.
We know that around this time that vast river systems spread across the Sahara Desert, with Middle Palaeolithic archaeology scattered along them. Other evidence for increased rainfall at this time comes from fossil stalagmites found in caves in desert regions in Arabia and ~500 km north of the Nefud in the Negev Desert. These features only grow in conditions where rainfall is greater than 300mm per year; substantially more than the amount (<90mm per year) they receive today.
While it is difficult to know for sure which species of human left these prints, we think they were most likely left by our own, Homo sapiens. This is based on the fact that Homo sapiens were present in the Levant, 700km to the north of the Nefud Desert, at a similar time. Neanderthals were absent from the Levant in this period and did not move back into the region until thousands of years later, when cooler conditions prevailed. Estimates of the humans mass and statue based on the footprints are also more consistent with our species than Neanderthals.
In addition to human footprints, elephant, horse and camel prints were also found. These footprints, studied in detail by Mathew Stewart at the Max Planck Institute for Chemical Ecology, provide a wealth of new information regarding prehistoric interactions between humans, animals and the environment.
Footprints are a unique form of fossil evidence as they provide precise snapshots in time that typically represent a few hours or days. This is a resolution we do not get from other records. They also allow us to understand the behaviour of their makers, which is something we cannot get from fossils.
This allows us to understand the relationship between humans and other large mammals at a geologically precise moment in time.
Environmental analysis on the lake sediments show that the lake contained fresh “drinkable” water, while the variety of footprints shows that humans, elephants, camels and horses were using this resource at a similar time. Human and large-mammal movements would have been closely tied to fresh water and the pattern of footprints show both foraged on the lake bed when it was temporarily exposed. Humans may have been drawn to the area as they tracked large mammals, who would potentially serve as prey.
Surveys and analysis of fossils recovered from the site also shows that there are no stone tools or butchery of fossils. This indicates that the footprint-makers only very briefly visited the lake, foraging for resources before continuing on their journey.
It is not clear what happened to the people who left the footprints, but evidence suggests that they, along with the other early Homo sapiens explorers, either died out or retreated to more favourable environments as aridity returned to the desert.
Around 3,300 years ago, the port city of Ugarit was a vibrant urban centre, located strategically on the overland network linking Egypt with Asia Minor and on the route between Persia and India in the east and Greece and Cyprus in the west. The city’s origins date back to 3000BC and the first alphabet and alphabetic writing system are believed to have developed there in the 14th century BC.
Today Ugarit is a Bronze Age archaeological site in northwest Syria, first excavated in 1929. It can tell us a huge amount about the past, but Ugarit is also a place in its own right. The conservation of the site needs to help us understand the site’s history, as well as preserving and restoring what remains. Our work on virtual reality and reconstruction can meet both these goals.
Although only 30% of Ugarit has been excavated, the discovered areas give clues about the organisation of the city. The buildings include royal palaces, large houses, tombs, sanctuaries, public buildings and temples. Ugarit’s golden age was between the 14th and 12th century BC, and the excavated ruins show that interesting political, social and economic evolution took place in the city.
The royal area shows evidence of a developed political system, with complex defensive architecture and a well-structured palace. Domestic areas reveal important information about the Ugaritic people’s everyday life and their veneration of the dead. However, the structures are in a ruined condition and some are deteriorating, thanks to being exposed for more than 90 years with only minimal maintenance and repair work.
A shift toward using virtual technologies as preservation methods to document historic sites and provide educational opportunities has taken place in recent years. This prevents misguided architectural conservation, which can damage a site.
Augmented reality can project reconstructions onto archaeological ruins, such as at the medieval village of Ename in Belgium. Elsewhere, virtual reconstruction has produced 3D textured models, including of the “Sala dello Scrutinio” at the Doges’ Palace in Venice.
We have used computer-aided design modelling to test out conservation options for Ugarit and to investigate the effects of possible conservation interventions on the ruins. This led to changes in design concepts and materials to better fit the aims of the conservation.
Preserving a sacred route
Excavations have revealed a key sacred route that linked the Royal Palace with the main Temple of Baal and passed through public areas of Ugarit. Researchers believe that the king followed this sacred path to practice cult sacrifices at the temple.
The route contains important tangible elements, such as the remains of the palace, houses, and the temple, for example. But the conservation strategy also intends to reconstruct the intangible aspects of the route – the monumental fortifications, the scale of the temple, and the experience of walking the sacred path, all of which cannot be easily grasped from the remaining ruins.
Virtual reconstruction is an effective tool to assess these proposals and judge their ability to protect the ruins, as well as revealing intangible aspects, such as the atmosphere of a street, which are lost to time. We have developed virtual tours which create an opportunity for screen displays to be installed on the site before the actual proposal is implemented.
These virtual tours include an area of the site that historically featured a plaza and tavern. Here the conservation approach includes the creation of a social and entertaining hub. This will allow the urban environment of the plaza and the dim and cosy interior of the tavern to be restored.
The tours provide reliable evidence for the second stage of the conservation proposal, the design stage and community consultation. However, the political situation in Syria has put the consultation process on hold.
This political situation also means that it is not possible to visit Ugarit at the moment – a position shared by hundreds of archaeological sites around the world. So the virtual reconstructions serve another purpose: they allow those interested a glimpse of this fascinating city and provide an opportunity to raise awareness of the site’s cultural importance with an international audience.
As militant attacks get closer, Katarina Höije tells the story of a Malian town defiantly continuing its annual tradition of replastering a mosque. Here is :
An Ancient Mud Mosque Annually Restored
Rickety plastic chairs and tables line the winding streets around Djenné’s main square, where the mosque looms over the town’s low mud-brick houses. There are plates of riz au grastasty rice with meat and vegetables—and chilled soft drinks. Ivorian Coupé-Décalé music reverberates on soft mud walls. Djenné, a town of about 35,000 in the central region of Mali, is famous for its traditional mud-brick architecture and its UNESCO-protected mosque. Fifty-two feet (16 meters) high and built on a 300-foot-long (90-meter) platform to protect it from flooding, the mosque is the world’s largest mud-brick building.
Young men and boys run down the front steps of the mosque after dropping off baskets of mud. (Photo: Annie Risemberg, The New Traditional)
Touching up its walls each year—crépissage, the French word for ‘plastering’—is a proud and exuberant ritual that involves the whole town. “The crépissage is the most important event of the year, even bigger than Eid al-Fitr, Tabaski (the Malian equivalent of Christmas), and marking the end of Ramadan,” says Yaro, a 30-year-old lawyer and host of the celebration known as ‘la nuit de veille.’ Sitting under a tarpaulin strung between two neem trees, Yaro watches as the crowds sway through the street.
The partygoers won’t sleep until after the event. The revelry will strengthen them ahead of tomorrow’s big task, Yaro claims, sipping a soft drink. “Tonight we party, and tomorrow we will celebrate our mosque and Djenné’s cultural heritage.” The residents of Djenné come together to put a new layer of clay on their mosque every April, just before the rainy season. The crépissage is both a necessary maintenance task to prevent the mosque’s walls from crumbling and an elaborate festival that celebrates Djenné’s heritage, faith, and community. It’s also an act of defiance.
The increasing instability in Mali’s central region—fueled by inter-tribal conflicts and growing numbers of militant and jihadist groups exploiting the absence of state security forces—now threatens Djenné and its sacred annual ritual. Local militants—some linked to the Group for the Support of Islam and Muslims (JNIM), formed by the 2017 merger of several extremist groups operating in Mali—have invaded towns, destroyed markets, and spread their influence in central Mali.
A group of women carrying water needed for the mud mixture. Men and boys are responsible for bringing the mud to the mosque, while and women and girls are tasked with bringing water from the river. (Photo: Annie Risemberg, The New Traditional)
So far, Djenné and its mosque have been spared, but the security situation in the region continues to deteriorate, and more frequent attacks are being carried out in Djenné’s orbit. “We knew that the militants were getting closer to Djenné,” says town chief Sidi Yéya Maiga at his home the day before the crépissage. This year the town council even took the extraordinary step of debating whether or not to cancel their cherished tradition.
In an act of collective resistance, they decided the show must go on. On the day before the crépissage, Nouhoum Touré, the master among Djenné’s 250 masons, heads down to the riverbank to check on the mud that has been left to soak for 20 days.
The crépissage is the most important event in Mali. (Photo: Annie Risemberg, The New Traditional)
It’s the height of the dry season, and the river has shrunk to shallow puddles and inlets. The round pools that store clay until it’s time for the crépissage look like pockmarks on the riverbed. The mud comes from further down the river and is transported here by trucks and donkey carts. Younger masons then break the blocks into smaller chunks and mix them with water. In the final stages, rice husks are added to the mud, turning it into a soft and sticky paste. The rice works like a glue, holding the mud together and keeping it from cracking as it dries. The young masons then carry the mixture, in wicker baskets, to pits in front of the mosque in preparation for the event.
Early in the morning on the long-awaited day of the crépissage, Djenné’s residents gather by the mosque and wait for Touré to smear the first blob of mud on the wall. This is the starting gun.
There is a roar from the crowd as dozens of young men—some masons, some apprentices—run to the mosque. Smaller groups of boys raise wooden ladders against the mosque wall. Carrying wicker baskets full of dripping-wet clay from the pits next to the mosque, the young men begin scrambling up the façade, using ladders to reach the wooden poles protruding from the walls. Perching perilously on the wooden scaffolding, they pick up large blobs of clay and smear them on the walls.
The Djenné mosque the day before the crépissage. (Photo: Annie Risemberg, The New Traditional)
Nientao, the mosque’s guardian, weaves through the crowd, his pockets filled with sweets for the workers. Thousands of muddy feet trample the paths around the mosque. As the sun begins to rise over Djenné, turning shapeless shadows into dark silhouettes, a group of boys and masons tackle the minarets from the roof of the mosque.
Four hours later, the morning sun shines on the newly plastered mosque. Dark, wet clay patches on the dried mud give it a sickly look. Touré is covered in mud all the way from his plastic sandals, which have miraculously stayed on his feet, to the top of his turban. “I think we did very well,” he says, sitting in the shade of the mosque. “Normally, we re-mud the mosque over two days. This time we managed to get it done in only one day.”
Residents carrying mud, from pits to the mosque ahead of the crépissage. (Photo: Annie Risemberg, The New Traditional)
A little later, there is a crack as the loudspeakers come on, then the sound of Djenné’s mayor, Balfine Yaro, clearing his throat. Everyone looks on in silence as he makes his way to the front of the crowd. He declares Djenneka Raws the winning team. Djelika Kantao and Yoboucaïna have prevailed. For the winners, there is pride, honor, and a cash prize of 50,000 West African francs, or about $90 (€80). “With the money,” says Kantao, beaming with pride, “I will buy new solar panels for the neighborhood, so we no longer have to live in darkness.”
Delve into a world of traditions being kept alive unique individuals through The New Traditional. This story and images are featured in the book.
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